Sound Designer and Mixer
Last active: 12/01/2014
Sound Designer and Mixer, Bloomfield Studios, Inc.; Fullerton, CA — 2012-Present
Record, design, and mix using Avid Protools and Waves Plug-ins; Music Production with Apple Logic and Native Instrument’s Maschine; Expert in use of Mac, Protools, Logic, Waves and Recording of Voice Over, Vocals, and Instruments; Expert in use of mics, preamps, audio interfaces and dynamic processors.
Spookiz Season 1 (Animation by Keyring Studios, 2014) - Sound design, record VO, mix.
MBC Baseball Tonight Commercial (2014) - Sound design, record VO, and mix.
LOTTE Cashbee Commercial (2014) - Sound design, record VO, and mix.
O.C.’s Finest by 7.1.4. (2014) - Record and mix all tracks
Sound Supervisor and Engineer, Cerritos Presbyterian Church; Artesia, CA — 2011-2014
Engineer and mix live sound (Front of House and monitors) with DigiCo SD 5, Yamaha M7CL, and Soundcraft SI; Edit and mix live recorded tracks with Protools weekly; Expert in engineering live band, speech, recording; Maintenance of all sound equipment; PA boomer in recording productions; Dialogue Post-Production Editor; Schedule and communicate with band members and event participants; Arrange, engineer, record, and post-production mix of Live Orchestra performances biannually.
Intern, INNOCEAN USA; Huntington Beach, CA — 2013
Intern for Video Production ORANGE Facility; Product delivery for clients, producers, and executives through Interdubs and FTPs; Prepare audio mix stem from video productions and deliver to post-sound engineers; Convert video specifications to make deliverables through Final Cut Pro 7, Compressor, MPEG StreamClip, and Handbrake; Dialogue/ VO Recording using Soundtrack Pro; Check in/out equipment and manage inventories using Quickbook; Label and print for HD&SD Tapes using Adobe InDesign; Search and collect videos, music, and pictures for Studio editors and producers; Burn DVD/ CD using Adobe Encore and DiscUs.
Intern, GrayMartin Studios; Santa Monica, CA — 2011
Set up Post-Production Protools templates to start sound design and mix; Manage sound samples and libraries; Dialogue Editing and sound sweetening; Noise reduction; Prepare all recording sessions with clients; Maintain equipment and studio environment.
Intern, Benzarelli and Associates, LLC; Nashville, TN — 2010
Record and mix with main record label artists.
Sound Dpt. Manager and Engineer, Sa-Rang Community Church; Anaheim, CA - 2004-1006
Record and mix live and post-production sound with Yamaha PM5D Console; Maintain all sound system and equipment; Maintain, make, and fix cables and connectors for XLR, TRS, and TS using soldering; Order and track sound equipment; Arrange live performance schedules and rehearsals.
Middle Tennessee State University — Production and Technology in Recording Industry, 2010
Sound Design, Mix, and Edit (Motion Pictures and Films, Animation, Commercial, Music, Etc.)
Software: Protools, Logic, Sound Miners, Waves, FCP 7, Compressor, MPEG StreamClip, FTPs, Interdubs, InDesign (Ltd.)
Analog and Digital Consoles (DigiCo SD 5, Yamaha M7CL and PM5D, Soundcraft SI)
Bilingual (Korean and English)