Strategic Creative Director with a proven record of developing interactive marketing campaigns for country's most recognized brands in Pakistan. Expert in concept development for complex interactive initiatives. A determined graphic designer both in 2d & 3d with an emphasis on typography and branding. Also a post director(video editor & compositor) with great creative music design skills for films, tv shows & documentaries. A motivating and inspiring individual to deliver superb creative work under tight deadlines. My core software skill are Maya, 3DS Max, Unity 3D, Photoshop, NUKE, After effects, Flash, Premier. EXPERSTISE 3D GENERALIST & STEREOSCOPIC WORKFLOW Knowledge of photo-realistic visual effects creation, workflow, and ... supervision. Experience with Maya, Lightwave, and 3DSMax for modeling, animating, lighting, and stereo rendering. Additional experience with Maya for cloth, dynamics, and particle effects. Experience with 3DSMAX/FumeFX for smoke and fire simulations. Also knowledgeable of Lightwave 3D. Extensive experience with Synth Eyes for 3D motion-tracking. Also skilled at custom script-authoring and programming due to broad software background. COMPOSITING Knowledge and experience of major high-resolution feature-film stereoscopic multi-pass compositing workflows. Specific experience with Nuke and NukeX for keying, grading, rotoscoping/painting, working with render passes, and channel manipulation. Also experienced with using Nuke's 3D compositing features, stereoscopic workflow, and Furnace and Ocula plugins. Additional extensive experience with After Effects for feature film and television compositing. MOTION GRAPHICS & ON-SCREEN PROGRAMMING Extensive experience using Photoshop, Illustrator, and After Effects for motion graphics creation including extensive design experience, import/export camera data between 3D and 2D, and expression-based animation. Experience with all major plugins including the Trapcode Suite (Particular, Form, Shine, etc.), Video Copilot Lens Flares, and additional effects.
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