Hire the Best 3D Designers
in Australia

3D Modeling & 3D Rendering Expert. 3D Designer with 7+ years of experience. I create high-end visualizations for products, buildings, and both interior and exterior architectural spaces. With a strong background in interior design studios and 5 years as a 3D QA specialist, I ensure stunning photorealistic renders with precision, artistry, and attention to detail. Let’s bring your project to life. Specialties: Architectural Visualization: High-quality interior and exterior renders tailored to your vision, including residential properties, duplexes, commercial spaces, and retail stores in malls. Product Rendering for E-commerce: Eye-catching images that elevate your online store and captivate customers — ideal for Amazon, Shopify, and DTC brand websites. Animation: Dynamic camera flythroughs, product rotations for websites, gift box presentations for cosmetics, and particle effects like running water. 3D Floor Plans & Top-Down Views: Detailed layouts that provide a clear spatial understanding of a property or design — perfect for presentations, real estate listings, and AR-ready catalogs. Web-Ready GLB / glTF Models & Optimization Workflow More and more brands need interactive 3D content for the web, e-commerce, or AR platforms. I provide a complete pipeline to deliver fully optimized, real-time-ready GLB models, including: UV optimization: Ensuring all geometry fits within a single UV tile (essential for PBR material compatibility) Texturing: Clean material setup in Substance using industry-standard PBR workflows Export & compression: Export to GLB with correctly linked textures and reduced file size using Draco geometry compression in Blender, which can shrink models by up to 7–8 times, without noticeable quality loss Compatibility: Models prepared for platforms like Shopify, Sketchfab, Meta Spark, Three.js, and other real-time 3D environments If you’re building product configurators, virtual stores, or AR filters — I can help deliver lean, clean assets that work flawlessly across devices. What I offer: Photorealistic 3D rendering with attention to detail. Expertise in various styles: modern, luxury, and minimalistic. Views from all angles, including bird's-eye views and top-down floor plans. Fast turnaround times without compromising quality. Support throughout the project to ensure satisfaction. Web- and game-ready formats (GLB, FBX, USDZ, etc.) Tools I Work With: I use 3ds Max and V-Ray / Corona for all my core modeling and rendering tasks, along with Substance Painter for advanced PBR texturing workflows. For procedural modeling, I rely on GrowFX and RailClone, while Marvelous Designer and ZBrush help me create detailed fabric and organic elements. My post-production and material editing is done in Photoshop and Illustrator, while for architectural planning I work with ArchiCAD. For real-time and cinematic needs, I use Unreal Engine and DaVinci Resolve. International Experience: I have created architectural visualizations for companies based in Australia, USA, UK, Canada, Germany, Denmark and Ireland. Additionally, I’ve collaborated with globally recognized architectural studios and delivered visuals and animations that are ideal for social media platforms like Instagram. Last updated: 02/19/2026

Hi, I’m Tashia — a passionate and detail-oriented fashion designer with over 3 years of industry experience across product design, graphic development, and trend research. I've worked with leading Australian and global brands, including Jockey (Hanes), and contributed to Nike projects at MAS Kreeda. My services include: Apparel design Trend and market research Technical drawings & garment specs Print and graphic artwork development Mood boards, range planning & CADs What you’ll get when working with me: ✅ Clear communication ✅ Creative thinking grounded in commercial awareness ✅ Timely delivery and professional formatting ✅ A collaborative and flexible approach Whether you need support with a full collection, a one-off tech pack, or help visualising your ideas — I’m here to bring your concept to life. Let’s connect and create something great!

I am an expert in 3d surface modeling using Civil 3d, especially grading and corridor modeling. I can help you with all site design and stormwater/flood modeling problems you have. Experienced in: -Civil 3d -Site grading -Road design -Stormwater, sewer, and water management plan -Detention pond design -Commercial/Residential lot subdivision -Flood modeling -Water network modeling -GIS applications

Event Designer specialising in 3D event design, stage and set design, event branding, and presentation design for live events, conferences, and exhibitions. I help agencies, brands, and event organisers bring ideas to life through high-quality 3D visualisation, turning rough concepts, mood boards, or sketches into clear, buildable designs. My work allows stakeholders to fully understand a space before it’s built, reducing risk, improving decision-making, and elevating the final experience. With a background in both creative design and technical event production, I understand how to balance bold ideas with real-world feasibility. From conference stages and exhibition stands to immersive brand activations and event environments, I design with both impact and delivery in mind. If you’re looking to create an event that stands out, aligns your team, and delivers a strong visual experience, I can help bring that vision to life.

Experienced designer with solid background in MEP, infrastructural projects across a wide range of fields including industrial area, health, and education, commercial and data center. Utilized Revit, CAD, Microstation, Dialux, AGI32, civil 3D, Visio, Bluebeam and conventional drafting software to develop designs.

WHY HIRE ME ? That's become a cliché question in the job hunting process but in all honesty it's a valid point, I would like to say that if you want the job done right and done right the first time then you should use a professional, we might charge a little more per hour but we can do the job up to 2 or 3 times faster so in many cases it ends up cheaper for you the client, also you get a professional result in terms of quality of work, things are named properly and meshes are all sound and not corrupt, you will not get AI generated mesh from a professional either. I also prefer to have a proper kick-off meeting with larger projects to open up the communication and get a proper idea of project scope, communication is VERY important in this job. A professional will also stand behind the work they produce and address any issues in a professional way, these are normally a result of insufficient data in the planning stage or changes to the scope midway through, hence why communication is so important. ABOUT ME I am a passionate highly skilled and experienced 3D Artist. I started modelling when I was a young and have always been a creative person ,I was building models as long ago as 1976, and as soon as I was old enough to use a computer, I started modelling using 3D Software. I do this on a daily basis, both for work and for fun. I am constantly pushing myself to excel and learn new techniques as well as perfect them. I’m always staying current with techniques and trends in the industry. I am expert in all types of modelling, from Polygon to NURB's and sculpting I work on Environments, Props, Vehicles with boats and ships being my niche, I also have a full blown workshop where I build miniatures with the latest technology like CNC and resin printing. I primarily use Maya and know how to render, light and build materials in Most PBR based renderers, mainly Redshift these days, and also how to build materials in UE5. My last position was as the environment and prop artist at Plastic Wax where I worked on some major game trailers, sometimes alone. I also worked for Pixel Zoo for a while doing characters and environments, I was the go to when things were behind schedule as I am fast. I also taught Game Dev for 6 years for a college. I have also done Architectural Visualisation for many years, both renders and real-time including VR interactive experiences. I have worked with scans in many contexts, sometimes for props or as a base for character equipment but also in an engineering role such as restoration of real ships. I have also taken images and assemble my own scans in Agisoft for the base of resin printed models. I am a very experienced Hard Surface modeller and have worked on vehicles, weapons, buildings and everything in between. I can also put my hand characters, although it is not my primary skill. The work I did at Pixel Zoo showcases just some of the character work I can do. I enjoy UV work and am fast and accurate with it. I use Rizom for my own work these days. I know how to texture in Photoshop but more Substance these days, I also have a Mari licence for jobs that require large multi UDIM textures. I have plenty of experience with studio pipelines and have also helped set them up, Plastic Wax being the most recent. I can also do Previz work and lighting. I have accreditation in UE5 from Epic and have been using it since UE2 and can also do cloth work in Marvellous Designer. The following points outline some key applications I use: • Maya – advanced user and trainer for 10 years. • Modo. • Mari • Clarisse • Gaea • ZBrush – licensed user 8 years. • Marvellous Designer – advanced user. • Allegorithmic Substance Suite – 4 years. • Rhinocerous 3D – advanced user for 15 years. • Unreal Engine. • Speedtree Cinema advanced user. • Perforce • Shotgrid