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Website: taimakesnoise.com Some relevant credits: - Superbowl LVI T-MOBILE ad - M3GAN - Universal movie - NETFLIX brand New Cherry Flavor - MICROSOFT, Pride 2021 Together We Can - Hundreds of episodes for TV shows like Dynasty, Go-Big Show, Superstore, and many more Tai Fronzaroli is an LA-based Music Producer, Composer and Mixing Engineer. He was born and raised in Florence, Italy and graduated from Luigi Cherubini Conservatory in "Music Tech". Naturally, he loves cooking in his free time- in true Italian fashion. In 2010, he founded the SevenStudio recording studio in Florence, where he has worked with a range of artists and produced numerous records. In 2012, he also founded the live music venue Cycle Club, which has featured hundreds of performers from around the world. He doesn’t come from a musical family but began his first music project with some friends when he was 13. He hasn’t stopped since. After graduating from UCLA in "Independent Music Production", Tai has been working with upcoming artists and producers in Los Angeles, creating placements for TV shows, films, and music libraries. He finds collaboration with other artists of the utmost value to him and his growth potential. To him, having fun brings a project’s sound to the next level. full credit list on my website taimakesnoise.com

🎵 Upwork's Top Rated Music Producer, Songwriter, and Audio Engineer at Your Service 🎧 🔊 About Me: I'm Sam, professionally known as one half of SAJA, and I'm a seasoned music producer, Film Composer, audio engineer, songwriter, and DJ with a deep passion for crafting sonic experiences that resonate with audiences. With 7 years of hands-on industry experience, I specialize in transforming ideas into polished, professional tracks across genres such as House, EDM, Afrobeats, Pop, Trap, R&B, and Remixes. 🎶 Services I Offer: 🎹 Music Production: Collaborating closely with you, I bring your musical concepts to life, blending creativity with technical expertise. Whether it's a catchy pop tune, a danceable afrobeat song, an immersive electronic track, or a soulful acoustic arrangement, I excel in capturing the essence of your ideas. 🎚️ Audio Mixing: Your tracks deserve to shine. I apply meticulous attention to detail during the mixing process, ensuring each element finds its perfect place in the sonic landscape. The result? Tracks that are balanced, dynamic, and ready to captivate listeners. 🎛️ Audio Mastering: The final step in perfecting your music. With a trained ear and professional-grade equipment, I enhance the overall quality of your tracks, making sure they sound exceptional across all playback systems. 🎬 Film & Advertisement Composition: I create bespoke scores that breathe life into visual storytelling. From cinematic orchestral arrangements for indie films to high-impact sonic branding for commercials, I specialize in "scoring to picture"—ensuring every musical cue hits the emotional heart of your scene or brand message. 🎵 Songwriting: I have loads of experience in coming up with lyrics for songs that I help produce or just in general. Catchy hooks and verses that are relatable and easy to sing are my forte. 🎙️ Podcast Editing, Cleaning of vocals and Mastering: I also edit and clean up vocals for podcasts, interviews and movies. No matter how bad the vocal seems, trust me to salvage and bring it back to life for you. 🎸Sample Making: With my background as a musician, I also make melody loops and samples. 🎧 Why Choose Me? ✓ Expertise: I hold a proven track record of delivering top-notch musical creations, and my extensive knowledge of audio engineering principles ensures excellence in every project. ✓ Collaborative Approach: Your vision is my priority. I value open communication and work closely with you to understand your goals, resulting in tailored musical solutions. ✓ State-of-the-Art Equipment: I utilize cutting-edge tools and software to ensure the highest quality output that meets industry standards. ✓ Timely Delivery: Meeting deadlines is non-negotiable. I understand the importance of time, and I'm committed to delivering your projects promptly. 📈 Previous Projects: My portfolio boasts a diverse array of successful collaborations. I've also had the privilege of working with artists like Dynoro, Samm (BE), Lucas Estrada, Breakk.Away and many more. 📩 Contact Me: Feel free to reach out through Upwork messaging, and let's start discussing how I can elevate your projects to new heights. Looking forward to making music magic with you!

I help artists, labels, and creators turn their tracks into release‑ready, competitive records — from first mix notes through to final master. I’m AMB, an internationally recognized music producer, award winning mastering engineer, and Ableton Certified Trainer based in Los Angeles. I’m a 2× winner of my country’s national music awards (the equivalent of the Grammys) for Best Electronic Music, and I take every project seriously regardless of scope. I work directly with artists, producers, and content creators — from quick mix fixes and vocal edits to full productions and mastering. My track “Set in Stone” was the soundtrack to Interconnection by Limelight, the projection‑mapping piece at iMapp that won both the Jury’s Award and the People’s Choice Award. The piece, projected onto the Palace of Parliament in Bucharest, has been viewed 688,000+ times on YouTube. Over the past 25+ years I’ve produced and released original music, performed alongside artists like The Chemical Brothers, Glitch Mob, and Tipper, and worked as a mastering engineer on hundreds of records — including releases by Blair St. Clair (Warner Music), Del The Funky Homosapien (Gorillaz), CloZee, Mr. Bill, LSDream, and Ill Gates. The tracks I’ve mastered have collectively surpassed nearly 10M YouTube views, including Brains – Superheroes (3M+) and Brains feat. Punany Massif (2.3M+). My film and sync work includes mixing the score for Beneath the Leaves, starring Oscar Award winner Mira Sorvino, and remixing the original soundtrack for Time Lapse, a film edited by Oscar winner Tom Cross (Whiplash). I’m listed on Ableton’s official website as a certified trainer — one of approximately 360 worldwide. Beyond teaching software, I designed and ran the Music Production program at the Los Angeles Film School, building curriculum, coordinating faculty, and managing outcomes for 300+ students a month. I know how to structure learning so you actually progress, not just watch someone click around. What I offer on Upwork: • Audio mastering — stereo and stem mastering for release ready tracks. • Mixing and stem mixing — professional finishing for singles, EPs, and albums. • Music production — original composition, beats, cinematic scoring, and custom tracks for film, games, and content creators. • Ableton Live training — one on one sessions, curriculum design, and workflow coaching. • Cinematic video editing — music driven edits, demo reels, and atmospheric content built around your original score or licensed music. How I work: • We start with a short call or chat about your goals, references, and deadlines. • You send your files with clear labelling; I send an initial mix or master with notes. • We refine via focused revisions (typically up to 2–3 for mixes, 1–2 for masters) so you feel confident in the final result. • You receive all deliverables you need: WAV, mp3, instrumentals, stems, and any specific formats required by labels, distributors, or platforms. Search YouTube for “AMB Music” to hear my work, or ask me for direct links. If you need music that actually sounds good, a master that holds up on any system, or an Ableton session that finally makes sense, send me your track and a couple of references — I’ll reply with a concrete plan, timeline, and quote so you know exactly what to expect.

Niko Antonucci was born in Prague, Czech Republic in 1991 to a middle class family. Since early age, she showed interest in music, particularly piano, which she started to play with at the age of 3 and which quickly became her favorite toy. Her father playing guitar and upright bass in local country band and her music loving mother supported her passion and signed her up for piano classes at the age of 9. Niko had decent pitch recognition and loved playing piano, but completely refused to follow her teacher's lead and suggestions, only wanting to play her own songs. After two semesters the teacher suggested that she will not be teaching Niko any longer. Despite not finishing her piano lessons, these early classes built her foundation of musical understanding and theory which she utilized till the age of 28. She always preferred writing more sentimental, darker music, as she was always able to emotionally relate. By the age of 13, Niko started to play guitar and connecting with punk rock as well as classic rock'n'roll. She started singing and writing her own songs, which were all very melancholic due to her parent's divorce and poor mental state. At the age of 15, her mother and sister were able to save enough money for her to record her 1st demo " By The Desk," which caught attention of multiple producers and talent seekers in Czech Republic and Europe. She recorded her 1st album in Germany under the alias "The Libido." The second album she recorded in Prague, but the album has never been officially released. In between she played with multiple bands along with solo acoustic singer songwriter sets, but due to her lack of confidence paired with a healthy bit of stage fright, she rarely felt satisfied in her endeavors. After being pulled in multiple directions by fellow musicians involved, she set out looking for her own self-produced sound. At the age of 21 she decided to experiment with electronic music and started producing her own songs. After moving to Los Angeles, she created a new alias titled "Resin" combining dark beats with cinematic soundscapes and grungy vocals. With Resin, she released two self-produced EPs and one collaborative album with a project called "Orphantales." Still battling her stage fright, she received an offer to compose music to a sci-fi script titled "Right Forward Turret." While working on the score, she realized that music composition and film scoring were her true calling. Feeling most confident utilizing her talent with not just orchestral music but music across all the genres. At this time, she is based in New York City and has a history of composing multiple scores to short films, commercials and feature length films as well as personal compositions. ABOUT MY STUDIO I predominantly use two DAWS (musical software) - Logic Pro X and Ableton Live 9 and I work strictly on Mac. ​ I have access to multiple electric guitars, acoustic guitars and a bass, DW drum kits, djembe, Yamaha piano, cello, ethnic flutes and other ethnic instruments. ​ I mainly use the Neuman TLM 103 and Sennheiser MKE 600 and e965 to track Audio. ​ I have access to the highest quality virtual instruments and libraries (such as Berlin Strings, Spitfire Albion One, Cinesamples, Damage and many others) that can guarantee an astonishing realism, especially with orchestral instruments. I also own a huge variety of ethnic libraries and virtual synths for creating original sound and sound design. ​ Lastly, I have tons of plugins such as Wave or Izotope, that are essential for mixing and mastering music.

✅ Film Composer - Scored, "Will I Dance Again", featuring Alfre Woodard & Misty Copeland ✅ Music Production – Full-track production from concept to final master ✅ Sonic Identity Creator – Sonic Identity Creator | Crafting custom music for shows. ✅ Podcast Post Production – Dialogue cleanup, mixing, mastering & broadcast-ready delivery 🎧 13+ Years of Music Production Experience - Instagram: 📸 @cammeyersmusic 🎙️ 72 Podcast Shows Produced (intros, full episodes, branded sound) Currently producing “Brainglitter,” the new show from Mel Robbins’ co-star Sam Griffin, where I’ve fully produced the podcast and worked hand-in-hand to craft its iconic sound and brand identity. I’m a music producer, composer, songwriter, and sonic identity specialist with 12+ years of experience. In July 2025, I launched my podcast music production business, creating fully custom intros, theme beds, and outros tailored to each show’s vision. I’ve produced 70+ original podcast themes, delivering broadcast-ready audio for Spotify, Apple Podcasts, and YouTube — with 100% ownership transferred to clients. I also produce music for artists across genres including EDM, indie alternative, indie folk, and vintage 1950s-inspired sounds, and I’m open to expanding into TV, film, and sync licensing projects. Previously, I ran a home studio in Charleston, SC, producing, recording, and mixing for local artists, and I release my own music under the name Cam Meyers. My focus is building intentional, cinematic, and uniquely branded music that elevates podcasts, artists, and media projects. Before focusing on podcast production, I spent five years running a home studio in Charleston, South Carolina, collaborating with a wide range of local artists across genres. During that time, I recorded, produced, mixed, and developed records while helping artists shape their sound from the ground up. Alongside my production work, I release my own music under the artist name Cam Meyers. I’m especially drawn to EDM, indie alternative, indie folk, and vintage 1950s-inspired sounds, blending modern production with timeless character and emotion. At the core of everything I create is the same goal: building music that feels intentional, cinematic, and uniquely branded to the artist or platform it represents.

U.S.-based Composer and Audio Post-Production Engineer for multimedia. SCOPE OF WORK - Music Composition, Arrangement, MIDI Programming, Recording and Mixing - Sound Design for a project to include: Foley, Ambience, Hard SFX - Dialogue Audio Restoration + Enhancement - Audio Post-Production and Distribution for Podcast Shows - Audiobook Editing/Mastering (matched to ACX specifications) - Consultation on Sound Recording and Reproduction 📎 ADDITIONAL INFO - Master’s Degree in Music Technology from New York University - Member of the Audio Engineering Society - O-1 Visa Holder (Individuals with extraordinary ability in the arts) - SFX Contributer on Pond5 🎹 TOOLS - Working in an acoustically treated studio - DAW: Logic Pro X, Pro Tools 12 - Hardware: Neve 5017 Mic Preamp, Universal Audio Apollo 8, Focal Shape 65 Monitors, AKG C414, Shure SM7B, Moog Mother 32s, Electric/Bass/Acoustic Guitars, Guitar Pedal assortment - Software: Entire iZotope Plugins (RX9 Advanced, Ozone 9 Adv., Neutron 3, Insight 2), Melodyne, Max/MSP, + a massive, high-end plugin collection (including UAD, Waves, Fabfilter, oeksound, Softube, Soundtoys, Sonnox) - Virtual Instruments: 2TB-sized Spitfire Audio Instrument Library, Native Instruments Komplete 12 Ultimate, Arturia V Collection& Pigments, Toontrack EZ Drummer 3 ☑️ EXTRA SKILLS - Video Editing in Final Cut Pro - Programming in Max/MSP - Image editing in Adobe Photoshop