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🎧 Hi, I’m Bartłomiej - a sound designer specializing in sound effects creation and audio post-production. For me, sound design is a craft. With every project, I aim to deliver the highest quality possible and create immersive, emotionally engaging audio experiences. I especially enjoy working on games - creating immersive soundscapes, impactful SFX, and atmospheric audio that enhance gameplay and bring virtual worlds to life. I’m constantly exploring new ways to design sound. I often record my own material to create unique and authentic effects, but when deadlines are tight, I also work with professional sound libraries such as Soundly. Besides sound design, I also work with music editing and selection. While I’m not a composer, I act more as a music curator - choosing the right tracks for each scene and blending different musical pieces to create emotion, smooth transitions, and a cohesive atmosphere. I work primarily in REAPER, Bitwig Studio, Pro Tools, and Ableton Live, which allows me to adapt my workflow to different types of projects and production pipelines.

I’m a sound designer, composer, and audio producer with several years of experience working across game audio, interactive media, and sound design. My focus is on creating audio that supports immersion, clarity, and emotional impact — whether that’s through music, UI and feedback sounds, ambience, or interactive systems. I work primarily in Ableton Live, alongside Reaper and Logic Pro, and approach each DAW as a practical creative tool rather than a fixed workflow. My work often involves synthesis, sampling, and detailed sound shaping to build cohesive sound palettes that feel intentional and context-aware, rather than overdesigned. In post-production, I handle audio cleanup, dialogue repair, mixing, and creative processing with a strong emphasis on clarity, warmth, and low-fatigue listening — especially for long-form or repeat-use content. I also have hands-on experience with game audio implementation, working with Unity and FMOD to design and integrate interactive audio systems, adaptive music, and event-driven sound. I’m comfortable iterating audio in-engine and collaborating closely with designers and developers to ensure sound supports gameplay systems and player feedback. Alongside my production work, I’ve previously worked as a music production teacher at numerous colleges across the UK, which has shaped how I communicate ideas and break down complex concepts clearly and practically. Whether I’m collaborating with a team or working 1:1 with clients, my approach is focused, supportive, and solutions-oriented. I enjoy projects where sound is treated as a core part of the experience — not just decoration — and where attention to detail, restraint, and consistency really matter.

Audio designer specializing in the creation and technical implementation of audio and music assets for games.

Services that I offer include: - Audio editing - Sound design - Mixing and mastering - Music production For some people having to deal with audio can be a nightmare! Well, for me it's a dream come true to work with all things related to the world of sound and audio... Daily tasks include recording, audio mixing and mastering for music, podcasts, online videos and any other audio related projects. One of my greatest passions for audio lies within the world of music. I work with on all genres of music, some of which include R&B, Pop, Afrobeat, Gospel, Folk and of course, Hip Hop. Although music based projects is where my passion lies, over the past four years I've started learning more about other audio related skills which include sound design, field recording and drum sample packs. With over 15 years experience as an audio engineer, I am uniquely equipped to take your audio related projects to the next level. I look forward to hearing from you and I'm excited to get started on your job...

I help artists, labels, and creators turn their tracks into release‑ready, competitive records — from first mix notes through to final master. I’m AMB, an internationally recognized music producer, award winning mastering engineer, and Ableton Certified Trainer based in Los Angeles. I’m a 2× winner of my country’s national music awards (the equivalent of the Grammys) for Best Electronic Music, and I take every project seriously regardless of scope. I work directly with artists, producers, and content creators — from quick mix fixes and vocal edits to full productions and mastering. My track “Set in Stone” was the soundtrack to Interconnection by Limelight, the projection‑mapping piece at iMapp that won both the Jury’s Award and the People’s Choice Award. The piece, projected onto the Palace of Parliament in Bucharest, has been viewed 688,000+ times on YouTube. Over the past 25+ years I’ve produced and released original music, performed alongside artists like The Chemical Brothers, Glitch Mob, and Tipper, and worked as a mastering engineer on hundreds of records — including releases by Blair St. Clair (Warner Music), Del The Funky Homosapien (Gorillaz), CloZee, Mr. Bill, LSDream, and Ill Gates. The tracks I’ve mastered have collectively surpassed nearly 10M YouTube views, including Brains – Superheroes (3M+) and Brains feat. Punany Massif (2.3M+). My film and sync work includes mixing the score for Beneath the Leaves, starring Oscar Award winner Mira Sorvino, and remixing the original soundtrack for Time Lapse, a film edited by Oscar winner Tom Cross (Whiplash). I’m listed on Ableton’s official website as a certified trainer — one of approximately 360 worldwide. Beyond teaching software, I designed and ran the Music Production program at the Los Angeles Film School, building curriculum, coordinating faculty, and managing outcomes for 300+ students a month. I know how to structure learning so you actually progress, not just watch someone click around. What I offer on Upwork: • Audio mastering — stereo and stem mastering for release ready tracks. • Mixing and stem mixing — professional finishing for singles, EPs, and albums. • Music production — original composition, beats, cinematic scoring, and custom tracks for film, games, and content creators. • Ableton Live training — one on one sessions, curriculum design, and workflow coaching. • Cinematic video editing — music driven edits, demo reels, and atmospheric content built around your original score or licensed music. How I work: • We start with a short call or chat about your goals, references, and deadlines. • You send your files with clear labelling; I send an initial mix or master with notes. • We refine via focused revisions (typically up to 2–3 for mixes, 1–2 for masters) so you feel confident in the final result. • You receive all deliverables you need: WAV, mp3, instrumentals, stems, and any specific formats required by labels, distributors, or platforms. Search YouTube for “AMB Music” to hear my work, or ask me for direct links. If you need music that actually sounds good, a master that holds up on any system, or an Ableton session that finally makes sense, send me your track and a couple of references — I’ll reply with a concrete plan, timeline, and quote so you know exactly what to expect.

Sound designer with 5+ years in the industry. Full-cycle audio production: SFX, mixing, mastering. Worked on films, podcasts, gaming, music SFX, and international projects.