I need someone to master and mix raw audio (Audacity) files into high-quality MP3 files for my audiobook. I have started recording but want a professional to master and mix the files. The ideal candidate will have experience in audio production and editing, ensuring the final product is polished and engaging.

We are seeking an expert in acoustics to analyze sound reverberation in our new buil-out dance fitness studio in Wallingford neighborhood of Seattle, WA. The goal is to ensure optimal sound quality for our classes. The ideal candidate will have experience in sound engineering and be able to provide recommendations for improvements & placement of cloud panels or baffling. This is a part-time project with a short duration, expected to be completed in less than a month. Project hire time: Aug 1 - Aug 10, 2026

I need assistance with preparing my book for distribution as an audiobook. I will record the book chapters on separate WAV files as per the attached 'Audiobook Recording Checklist'. I anticipate that there will be approximately 6 - 8 hours of recording time. I need an EXPERIENCED audio editor to do edit and master the files to ACX standards, at minimum. The task involves improving the audio quality to ensure clarity and professionalism. The ideal candidate should have experience in audio editing and be able to deliver high-quality results efficiently. See additional editing/production detail below. MINIMUM REQUIREMENTS: - RMS loudness between -23 and -18 dBFS, - True peak below -3 dBFS, - Noise floor below -60 dBFS, - 44,100 Hz sample rate, mono, - MP3 at 192 kbps CBR, - 0.5 to 1 second of head silence, and 1 to 5 seconds of tail silence. To be included within contract: - If any delivered file fails ACX's automated technical QA check, the editor will remaster and redeliver that file at no additional charge. - Two (2) rounds of creative/technical revisions included for things like EQ preferences or pacing. NOTE 1: Stated hourly rate (below) is the (Per Finished Hour) PFH of final audio rate and is dependent on skill/experience level. NOTE 2: ACX measures true peak using 4x oversampling, not just sample peak — so please master with real headroom, not just skim under -3dB. • Each file should contain only one chapter or section — opening and closing credits go in their own separate files, and every file needs to be uploaded in chapter order: Opening Credits, Chapter 1, Chapter 2, and so on through Closing Credits. • The retail sample (what customers preview on Audible) needs to be 1–5 minutes long and should start with narration itself, not the "Chapter One" announcement or any music. • My target is -20dB RMS NOTE 3: RMS is measured across the entire file including silence padding, so a long tail silence can pull measured RMS lower. Please check final RMS on the exported file, not an intermediate mix.

Seeking a professional to connect an outside speaker with the inside sound system for a restaurant in Times Square. The solution must be permanent and remotely controllable, ensuring seamless operation. The system should be both functional and aesthetically pleasing for the restaurant environment.

I am seeking an audio editor to edit the audio for an audio drama project that I am working on. The audio drama is a procedural show, so think lots of tense action scenes and car chases. Timeline is absolutely critical, as I have had bad past experiences with editors taking 6+ months to edit audio. Each episode is around 30-45 minutes and length and are already pre-recorded and scored.

I have three concerts of about 1 hour each mp3 formatted tracks that were SUPPOSEDLY done by a professional sound recorder. I don't think so. These are from the Vienna Choral Society in Virginia; the group is an amateur one but taking on tougher and tougher music and is pretty good for amateur groups. I have tried using APO equalizer, Peace GUI and Audacity to try and eliminate some of the static and noise, and to bring increase depth and less "tinniness" to the music, certain sections in particular. I've been successful up to a point but its time to let someone who is good at this take over. My objective is to be able to send copies to friends and, well "be proud of them" The recordings right now do not allow that. They seem unprofessional. The treble frequencies in particular get distorted and there is also background noise from the audience (coughs, etc.) I am willing to pay someone to take at least two numbers and talk with me, work on them, send them back, and once I'm satisfied that the output works, then let's have you take on the rest. I'm attaching one file that is particularly challenging (a gospel number called "I'll be on my way" and a beautiful a acapella piece called "O Magnum Mysterium" that should pose fewer challenges. So I need someone who is familiar with choral music with some instrumentals.

I have an existing audio file. It is a parody of the YMCA song entitled AARP (American Association of Retired Persons) Need an AI generated music video created using this audio file and images you would create. I will provide a variety of scenes that can be incorporated and a description of the main characters to be used, not overly specific. I will also provide the lyrics as I want them mdisplayed (like closed caption). The song is 3:34 long. Might cut it down to a shorter clip depending on costs. I'd like to get some sort of rough estimate before going further to see if this is practical.

Need video to audio conversion , adding multiple audio tracks together

Who you'd be editing for: TouchTone DSG ("The Peoples Producer") — a 20-year mixing/mastering engineer building a brand around teaching real studio craft and documenting the build of an AI mixing tool. The channel is premium and credible — clean, high-end — not busy meme-edited slop. The audience is producers and engineers who respect specifics and can smell fake. Your edits represent a brand built on sound, so the bar is high — especially on audio. The role: my one ongoing long-form YouTube editor, every week — not one-off gigs. I shoot; you turn raw footage into finished, retention-optimized videos. Workload & turnaround: 1–2 long-form videos/week, ongoing (monthly). 72-hour turnaround per video from footage delivery — non-negotiable; it's what lets me publish 2x/week. Reliability matters more to me than anything else. 2 revision rounds per video. What you'll edit: educational/tutorial videos (me on camera + Ableton screen-recordings cut in sync), story/reveal videos, comment-response videos, occasionally course lessons. The style I'm after: Hook-first, retention-driven pacing — cut dead air, ums, rambles — but clean and intentional, not frantic jump-cut spam. Premium, not hyperactive. Screen-share in sync — when I explain something in Ableton, zoom/highlight the exact control or number I'm talking about. On-screen text for the key numbers (e.g. "−18 dBFS") — clean, on-brand, never cheesy. Tasteful gear/studio b-roll; consistent brand look (intro/outro, lower-thirds, fonts, colors — I'll provide assets); clean premium color. Audio is non-negotiable (the part most editors get wrong): this is a mixing/mastering channel — bad audio is brand suicide. Dialogue clean, de-noised, leveled, ~−14 LUFS, no clipping; music subtle and ducked under my voice; and when DAW mix demos / A-Bs play, they stay at honest, undistorted levels. An editor who ships muddy or clipped audio is an instant no. Technical & delivery: source is 4K (Sony A7S III, sometimes multi-cam) + Ableton screen recordings → deliver YouTube-ready MP4/H.264, 4K (1080p min) + captions. Tool is your choice (Premiere/Resolve/FCP) if the output's clean and revisions are quick. Workflow: organized raw footage + screen recordings via Google Drive, with a short beat-sheet per video. Proactive communication — flag risks early; ghosting or silent slippage is the dealbreaker. Great fit: reliable above all (consistent 72hr, communicates early) · real tutorial-editing experience · music/audio sensibility · takes direction without ego. Not in scope: shorts/clips (handled by OpusClip) and thumbnails (separate — bonus if you're strong at them). Long-form only unless we negotiate it in.

We are looking for a reliable and detail-oriented video/podcast editor to turn raw multi-camera footage into polished, professional long-form episodes on a consistent weekly basis. This is a long-term opportunity for someone who has a strong workflow, communicates well, and can deliver high-quality work without heavy direction. There is also potential for increased weekly volume as we continue to expand our content output. Project Overview: Weekly podcast (1 episode per week, with potential for more) ~30-minute episodes Multi-cam (3 angles) 4K, 60fps footage with WAV audio (already synced) Editing Style: Light editing approach (minimal cuts, remove only dead space) No filler word or pause removal unless requested Maintain natural conversation flow Clean, professional final product Responsibilities: Edit and switch between 3 camera angles, including combining close-up shots or incorporating desktop/screen capture when appropriate for the content Create a compelling 30-second intro using selected clips and provided music Perform audio mixing as needed (no color correction required) Apply provided lower thirds and graphics Deliver final 4K export Deliverables: 1 completed episode per week (with opportunity for more) 1-week turnaround time Open to 1 to 2 revisions per episode Must provide Adobe Premiere Pro project files for internal adjustments Tools & Workflow: Adobe Premiere Pro preferred File sharing via OneDrive Style Reference: https://youtu.be/MgCxPII9gew https://www.youtube.com/@afg.advisors Ideal Candidate: Experienced in podcast and long-form video editing Strong attention to detail and consistency Able to follow a structured workflow Comfortable working independently Reliable with deadlines If you’re interested, please share examples of similar podcast or multi-cam editing work.