I need assistance with preparing my book for distribution as an audiobook. I will record the book chapters on separate WAV files as per the attached 'Audiobook Recording Checklist'. I anticipate that there will be approximately 6 - 8 hours of recording time. I need an EXPERIENCED audio editor to do edit and master the files to ACX standards, at minimum. The task involves improving the audio quality to ensure clarity and professionalism. The ideal candidate should have experience in audio editing and be able to deliver high-quality results efficiently. See additional editing/production detail below. MINIMUM REQUIREMENTS: - RMS loudness between -23 and -18 dBFS, - True peak below -3 dBFS, - Noise floor below -60 dBFS, - 44,100 Hz sample rate, mono, - MP3 at 192 kbps CBR, - 0.5 to 1 second of head silence, and 1 to 5 seconds of tail silence. To be included within contract: - If any delivered file fails ACX's automated technical QA check, the editor will remaster and redeliver that file at no additional charge. - Two (2) rounds of creative/technical revisions included for things like EQ preferences or pacing. NOTE 1: Stated hourly rate (below) is the (Per Finished Hour) PFH of final audio rate and is dependent on skill/experience level. NOTE 2: ACX measures true peak using 4x oversampling, not just sample peak — so please master with real headroom, not just skim under -3dB. • Each file should contain only one chapter or section — opening and closing credits go in their own separate files, and every file needs to be uploaded in chapter order: Opening Credits, Chapter 1, Chapter 2, and so on through Closing Credits. • The retail sample (what customers preview on Audible) needs to be 1–5 minutes long and should start with narration itself, not the "Chapter One" announcement or any music. • My target is -20dB RMS NOTE 3: RMS is measured across the entire file including silence padding, so a long tail silence can pull measured RMS lower. Please check final RMS on the exported file, not an intermediate mix.

Who you'd be editing for: TouchTone DSG ("The Peoples Producer") — a 20-year mixing/mastering engineer building a brand around teaching real studio craft and documenting the build of an AI mixing tool. The channel is premium and credible — clean, high-end — not busy meme-edited slop. The audience is producers and engineers who respect specifics and can smell fake. Your edits represent a brand built on sound, so the bar is high — especially on audio. The role: my one ongoing long-form YouTube editor, every week — not one-off gigs. I shoot; you turn raw footage into finished, retention-optimized videos. Workload & turnaround: 1–2 long-form videos/week, ongoing (monthly). 72-hour turnaround per video from footage delivery — non-negotiable; it's what lets me publish 2x/week. Reliability matters more to me than anything else. 2 revision rounds per video. What you'll edit: educational/tutorial videos (me on camera + Ableton screen-recordings cut in sync), story/reveal videos, comment-response videos, occasionally course lessons. The style I'm after: Hook-first, retention-driven pacing — cut dead air, ums, rambles — but clean and intentional, not frantic jump-cut spam. Premium, not hyperactive. Screen-share in sync — when I explain something in Ableton, zoom/highlight the exact control or number I'm talking about. On-screen text for the key numbers (e.g. "−18 dBFS") — clean, on-brand, never cheesy. Tasteful gear/studio b-roll; consistent brand look (intro/outro, lower-thirds, fonts, colors — I'll provide assets); clean premium color. Audio is non-negotiable (the part most editors get wrong): this is a mixing/mastering channel — bad audio is brand suicide. Dialogue clean, de-noised, leveled, ~−14 LUFS, no clipping; music subtle and ducked under my voice; and when DAW mix demos / A-Bs play, they stay at honest, undistorted levels. An editor who ships muddy or clipped audio is an instant no. Technical & delivery: source is 4K (Sony A7S III, sometimes multi-cam) + Ableton screen recordings → deliver YouTube-ready MP4/H.264, 4K (1080p min) + captions. Tool is your choice (Premiere/Resolve/FCP) if the output's clean and revisions are quick. Workflow: organized raw footage + screen recordings via Google Drive, with a short beat-sheet per video. Proactive communication — flag risks early; ghosting or silent slippage is the dealbreaker. Great fit: reliable above all (consistent 72hr, communicates early) · real tutorial-editing experience · music/audio sensibility · takes direction without ego. Not in scope: shorts/clips (handled by OpusClip) and thumbnails (separate — bonus if you're strong at them). Long-form only unless we negotiate it in.

Seeking a freelance editor and sound mixer to re-edit a 12-minute student production project. The ideal candidate will have a background in editing experimental and documentary films. The project requires intermediate proficiency and is short-term. The role involves audio post production, sound mixing, and audio editing to enhance the overall quality of the production. Editors based in New York are ideal!

We are launching an interview-based podcast and are looking for an experienced Riverside producer to support our first episode. The host and guests will focus on the conversation. We are looking for someone to manage the technical side and ensure a smooth recording experience. Responsibilities • Set up and manage the Riverside recording session. • Verify audio and video settings for all participants. • Troubleshoot any issues before and during recording. • Monitor the recording to ensure high-quality audio and video. • Confirm that all local recordings have successfully uploaded and are preserved after the session. • Provide guidance to our team so we can confidently run future episodes ourselves. Requirements • Prior hands-on experience producing podcasts with Riverside. • Ability to troubleshoot common audio and video issues. • Reliable internet connection and availability to join remotely. • Strong communication skills. Project Details • One podcast recording session (approximately 60–90 minutes). • Fixed-price project: $75. • Remote. Recording Schedule The recording is scheduled for Wednesday, June 24, 2026, at 7:30 PM Eastern Time (U.S.). Please be available approximately 15–30 minutes before the recording for setup and remain until all recordings have successfully uploaded. There is potential for additional episodes if the relationship is a good fit. When Applying, Please Include • Your experience with Riverside. • Podcasts or clients you have supported. • Your location and time zone. • Confirmation that you are available on Wednesday, June 24 at 7:30 PM Eastern Time. We are specifically looking for someone who can confidently guide first-time Riverside users and ensure a successful recording.

I am seeking an audio editor to edit the audio for an audio drama project that I am working on. The audio drama is a procedural show, so think lots of tense action scenes and car chases. Timeline is absolutely critical, as I have had bad past experiences with editors taking 6+ months to edit audio. Each episode is around 30-45 minutes and length and are already pre-recorded and scored.

We are seeking a skilled audio specialist to relieve background noise from clips of an audio file which I provide time stamps and enhance distant voices. The task involves improving audio clarity and providing a written dialogue of the enhanced audio. I will provide you with the dialogue upon interest. TIA Shanyn

Need video to audio conversion , adding multiple audio tracks together

Launching a new moderate political commentary podcast and seeking a marketing expert to grow listenership on Spotify and Apple Podcasts. Looking for someone with a proven track record in podcast growth via paid ads (Spotify Ads, host-read placements), short-form video for social, and organic audience building. Please share relevant shows you've grown and results. Looking forward to working together!

The Work * Source material: 2+ hours of experimental, music-related video footage. We would start with 30min of this as an initial batch, with more to follow on an ongoing basis * Deliverables per batch: * Vertical clips, 30–45 seconds (Reels / Shorts / TikTok-ready) * Horizontal clips, ~1min - 1:30min (YouTube-ready) * Ongoing: A repeatable editing for YouTube & TikTok Responsibilities * Review long-form footage and identify the strongest moments for short-form cuts * Edit vertical and horizontal clips with attention to pacing, sound design, and visual hooks suited to an experimental/music aesthetic Ideal Candidate * Proven video editing experience, ideally with music/experimental/art-adjacent content (portfolio or reel required) * Strong understanding of short-form platform mechanics (retention curves, hook structure) How to Apply Please send: 1. A portfolio or reel showing relevant short-form editing work (music/experimental preferred) 3. Your typical turnaround time and rate structure

Hello, we're a motion design studio called BIEN. Our focus is inclusive design/animation. I am looking for someone who is well versed in using Descript to edit some social media clips from our "Founders Interview". I recorded a 1.5 hour conversation with me, our sales rep and our creative director discussing our origin story, how we work, etc. There are two parts to the job: 1) Set up my Descript project in 9:16 format so I can edit in the future. I need to put each speaker (3 total) on a separate layer, and ensure auto multicam is functioning properly. I also need a quick tutorial on how to use layouts, as we'll create a custom layout for future use. I will use Underlord to edit, as well as edit manually. 2. Edit 10 short clips, under 2 minutes apiece. The goal is to create content that show our target audience who we are, what we believe in, and how we work. You can choose clips that would be most interesting to creative directors, producers and marketers who would potentially hire us. I've attached the interview questions to give you an idea of the content we covered. Ideally this can be done by end of week.