This project involves professional sound editing, audio enhancement, and final mix preparation for a seven-video VINView training series developed for Mercedes-Benz dealer, field, logistics, and operations users. The objective of the project is to ensure that each training video delivers clear, polished, and consistent audio that supports user comprehension, reinforces the Mercedes-Benz brand standard, and makes the VINView platform easy to understand across all modules and workflows. The sound editing work includes reviewing all raw and edited video files, assessing the quality of recorded narration, dialogue, screen-recording audio, and any embedded sound elements. The editor will clean and optimize the audio tracks by removing background noise, hum, clicks, pops, mouth sounds, room tone inconsistencies, and other distractions that may reduce the professional quality of the final training materials. Voice levels will be balanced across all seven videos to create a consistent listening experience from one module to the next. The project also includes syncing narration and dialogue precisely with on-screen demonstrations, transitions, callouts, and product walkthroughs. The editor will ensure that each spoken instruction aligns naturally with the relevant VINView screen activity, helping viewers follow the training content without confusion. Where needed, timing adjustments, fades, crossfades, and pacing improvements will be applied to create a smoother instructional flow. Additional responsibilities include applying equalization, compression, normalization, and loudness balancing to meet standard digital video delivery requirements. The final audio mix should be clear, warm, and intelligible on desktop speakers, conference room displays, tablets, and mobile devices. The editor will also review any background music, intro or outro sound beds, branded stingers, or transition audio to ensure they support the training experience without overpowering the narration. Because the videos are being prepared for Mercedes-Benz, special attention will be paid to consistency, polish, and brand professionalism. Each video should sound refined, controlled, and suitable for use in a corporate training, dealer enablement, or OEM communications environment. The editor will maintain a consistent audio profile across the full seven-video series so that the materials feel like a unified training package rather than separate one-off recordings. Deliverables include a fully edited and mixed audio track for each of the seven VINView training videos, incorporated into the final video files and prepared for distribution. The project may also include quality assurance review, correction of audio inconsistencies identified during stakeholder review, and delivery of revised final files after feedback. The editor will collaborate with the project team to confirm naming conventions, export settings, preferred file formats, and any Mercedes-Benz-specific delivery requirements. The ideal scope of work reflects standard sound editor, audio post-production specialist, and video production job responsibilities, including audio cleanup, dialogue editing, mixing, mastering, synchronization, file preparation, and quality control. The completed work will help ensure the VINView training series is professional, easy to follow, and ready for Mercedes-Benz audiences.

We are seeking a skilled audio engineer to master live audio recordings for our podcast. The ideal candidate will have experience in audio post-production and sound mixing, ensuring high-quality output. Responsibilities include enhancing audio clarity, adjusting levels, and removing background noise. The role requires attention to detail and the ability to work efficiently under deadlines.

I need assistance with preparing my book for distribution as an audiobook. I will record the book chapters on separate WAV files as per the attached 'Audiobook Recording Checklist'. I anticipate that there will be approximately 6 - 8 hours of recording time. I need an EXPERIENCED audio editor to do edit and master the files to ACX standards, at minimum. The task involves improving the audio quality to ensure clarity and professionalism. The ideal candidate should have experience in audio editing and be able to deliver high-quality results efficiently. See additional editing/production detail below. MINIMUM REQUIREMENTS: - RMS loudness between -23 and -18 dBFS, - True peak below -3 dBFS, - Noise floor below -60 dBFS, - 44,100 Hz sample rate, mono, - MP3 at 192 kbps CBR, - 0.5 to 1 second of head silence, and 1 to 5 seconds of tail silence. To be included within contract: - If any delivered file fails ACX's automated technical QA check, the editor will remaster and redeliver that file at no additional charge. - Two (2) rounds of creative/technical revisions included for things like EQ preferences or pacing. NOTE 1: Stated hourly rate (below) is the (Per Finished Hour) PFH of final audio rate and is dependent on skill/experience level. NOTE 2: ACX measures true peak using 4x oversampling, not just sample peak — so please master with real headroom, not just skim under -3dB. • Each file should contain only one chapter or section — opening and closing credits go in their own separate files, and every file needs to be uploaded in chapter order: Opening Credits, Chapter 1, Chapter 2, and so on through Closing Credits. • The retail sample (what customers preview on Audible) needs to be 1–5 minutes long and should start with narration itself, not the "Chapter One" announcement or any music. • My target is -20dB RMS NOTE 3: RMS is measured across the entire file including silence padding, so a long tail silence can pull measured RMS lower. Please check final RMS on the exported file, not an intermediate mix.

I am a house producer, looking to launch my first couple singles "dance in the morning" and " never cared" within a couple weeks and need a mix and master engineer to clean up the overall production, and make it feel and sound balanced, loud, and ready for distribution on all channels (Spotify, Apple music, Youtube, etc.). You can take a sneak peak at both tracks here: - dance in the morning: https://untitled.stream/library/track/Lg8zID2g8l73NVtBbfK7A - never cared: https://untitled.stream/library/track/35a7eP7nOSCKS191VsQXb I would prefer that the engineer has experience within the house production/mixing world to understand these type of vibe and feel I am going for with this tracks. I have produced both tracks with Ableton and would prefer the track does not have to be converted to another format to keep the quality high and crisp. I am mainly looking for someone who: - Lives in the United States - Very easy to work with - Open to future engagements - Is open to teaching me better production skills as needed (mixing, mastering, arrangement, sound design, etc.) - Has experience within the house world - Can work quick, while keeping the output extremely high quality - Can mix/master both for channels (Spotify, Apple Music, etc.) and clubs If this sounds like you feel free to shoot me a message and let's get to work!

Seeking a professional to connect an outside speaker with the inside sound system for a restaurant in Times Square. The solution must be permanent and remotely controllable, ensuring seamless operation. The system should be both functional and aesthetically pleasing for the restaurant environment.

I am seeking an audio editor to edit the audio for an audio drama project that I am working on. The audio drama is a procedural show, so think lots of tense action scenes and car chases. Timeline is absolutely critical, as I have had bad past experiences with editors taking 6+ months to edit audio. Each episode is around 30-45 minutes and length and are already pre-recorded and scored.

I have three concerts of about 1 hour each mp3 formatted tracks that were SUPPOSEDLY done by a professional sound recorder. I don't think so. These are from the Vienna Choral Society in Virginia; the group is an amateur one but taking on tougher and tougher music and is pretty good for amateur groups. I have tried using APO equalizer, Peace GUI and Audacity to try and eliminate some of the static and noise, and to bring increase depth and less "tinniness" to the music, certain sections in particular. I've been successful up to a point but its time to let someone who is good at this take over. My objective is to be able to send copies to friends and, well "be proud of them" The recordings right now do not allow that. They seem unprofessional. The treble frequencies in particular get distorted and there is also background noise from the audience (coughs, etc.) I am willing to pay someone to take at least two numbers and talk with me, work on them, send them back, and once I'm satisfied that the output works, then let's have you take on the rest. I'm attaching one file that is particularly challenging (a gospel number called "I'll be on my way" and a beautiful a acapella piece called "O Magnum Mysterium" that should pose fewer challenges. So I need someone who is familiar with choral music with some instrumentals.

I have an existing audio file. It is a parody of the YMCA song entitled AARP (American Association of Retired Persons) Need an AI generated music video created using this audio file and images you would create. I will provide a variety of scenes that can be incorporated and a description of the main characters to be used, not overly specific. I will also provide the lyrics as I want them mdisplayed (like closed caption). The song is 3:34 long. Might cut it down to a shorter clip depending on costs. I'd like to get some sort of rough estimate before going further to see if this is practical.

Need video to audio conversion , adding multiple audio tracks together

Who you'd be editing for: TouchTone DSG ("The Peoples Producer") — a 20-year mixing/mastering engineer building a brand around teaching real studio craft and documenting the build of an AI mixing tool. The channel is premium and credible — clean, high-end — not busy meme-edited slop. The audience is producers and engineers who respect specifics and can smell fake. Your edits represent a brand built on sound, so the bar is high — especially on audio. The role: my one ongoing long-form YouTube editor, every week — not one-off gigs. I shoot; you turn raw footage into finished, retention-optimized videos. Workload & turnaround: 1–2 long-form videos/week, ongoing (monthly). 72-hour turnaround per video from footage delivery — non-negotiable; it's what lets me publish 2x/week. Reliability matters more to me than anything else. 2 revision rounds per video. What you'll edit: educational/tutorial videos (me on camera + Ableton screen-recordings cut in sync), story/reveal videos, comment-response videos, occasionally course lessons. The style I'm after: Hook-first, retention-driven pacing — cut dead air, ums, rambles — but clean and intentional, not frantic jump-cut spam. Premium, not hyperactive. Screen-share in sync — when I explain something in Ableton, zoom/highlight the exact control or number I'm talking about. On-screen text for the key numbers (e.g. "−18 dBFS") — clean, on-brand, never cheesy. Tasteful gear/studio b-roll; consistent brand look (intro/outro, lower-thirds, fonts, colors — I'll provide assets); clean premium color. Audio is non-negotiable (the part most editors get wrong): this is a mixing/mastering channel — bad audio is brand suicide. Dialogue clean, de-noised, leveled, ~−14 LUFS, no clipping; music subtle and ducked under my voice; and when DAW mix demos / A-Bs play, they stay at honest, undistorted levels. An editor who ships muddy or clipped audio is an instant no. Technical & delivery: source is 4K (Sony A7S III, sometimes multi-cam) + Ableton screen recordings → deliver YouTube-ready MP4/H.264, 4K (1080p min) + captions. Tool is your choice (Premiere/Resolve/FCP) if the output's clean and revisions are quick. Workflow: organized raw footage + screen recordings via Google Drive, with a short beat-sheet per video. Proactive communication — flag risks early; ghosting or silent slippage is the dealbreaker. Great fit: reliable above all (consistent 72hr, communicates early) · real tutorial-editing experience · music/audio sensibility · takes direction without ego. Not in scope: shorts/clips (handled by OpusClip) and thumbnails (separate — bonus if you're strong at them). Long-form only unless we negotiate it in.