Union Church Charlotte is seeking a skilled and dependable Sound Engineer to help create exceptional worship experiences through high-quality live audio production. This role is responsible for operating and managing front-of-house audio during weekend services and special events (paid at separate rate). The ideal candidate is passionate about audio excellence, thrives in fast-paced live environments, and works well with both staff and volunteer teams.

We are looking for a reliable and detail-oriented video/podcast editor to turn raw multi-camera footage into polished, professional long-form episodes on a consistent weekly basis. This is a long-term opportunity for someone who has a strong workflow, communicates well, and can deliver high-quality work without heavy direction. There is also potential for increased weekly volume as we continue to expand our content output. Project Overview: Weekly podcast (1 episode per week, with potential for more) ~30-minute episodes Multi-cam (3 angles) 4K, 60fps footage with WAV audio (already synced) Editing Style: Light editing approach (minimal cuts, remove only dead space) No filler word or pause removal unless requested Maintain natural conversation flow Clean, professional final product Responsibilities: Edit and switch between 3 camera angles, including combining close-up shots or incorporating desktop/screen capture when appropriate for the content Create a compelling 30-second intro using selected clips and provided music Perform audio mixing as needed (no color correction required) Apply provided lower thirds and graphics Deliver final 4K export Deliverables: 1 completed episode per week (with opportunity for more) 1-week turnaround time Open to 1 to 2 revisions per episode Must provide Adobe Premiere Pro project files for internal adjustments Tools & Workflow: Adobe Premiere Pro preferred File sharing via OneDrive Style Reference: https://youtu.be/MgCxPII9gew https://www.youtube.com/@afg.advisors Ideal Candidate: Experienced in podcast and long-form video editing Strong attention to detail and consistency Able to follow a structured workflow Comfortable working independently Reliable with deadlines If you’re interested, please share examples of similar podcast or multi-cam editing work.

I need a very skilled and confident techno producer. I am only looking for someone who has alot of signings to notable labels, or has gotten someone alot of signings. I have a artist profile in a different genre that at one time was quite prolific, however I took a hiatus. I am now wanting to switch to techno. I need a producer who can get signings. If you are that person, you will be consistent business from me, likely year around. I like labels like Arcane Music, Exhale, KNTXT, or anything similar! My current connections are Insomniac, and Armada Music. But I really want to break into techno. I can pay up to 1500 per track. But I would only pay 1500 for a track that is good enough to go on a label like Arcane Music, Armada, etc. Because most techno labels only release EPs, and these labels particularly are usually more underground, so I would want to work out a separate deal for a label that only takes EPs. please ONLY reply to this job ad if you are truly a professional with a track record and are serious about outputting quality work to shop for labels. You will have me for life if so! Thanks!

We're seeking an experienced video editor for our established tech and filmmaking podcast. First gig is editing a limited run short podcast series. Second gig is potential for longterm podcast editing - weekly episode, managing multi-camera episodes with same-day delivery. Mini Series Podcast Details - Epidoes are about 20 minutes - Editor is responsible for creating engaging intro with best soundbites, basic motion graphics with text animation of key words or quotes, and notes on voice over for host to record. Using Claude or other LLM with episode transcript to speed up this process is a plus - please note your AI tools and workflow in the cover letter. - You must use DaVinci Resolve. Due to the fast turnaround all media and projects are handled with Blackmagic Cloud so we all work in the same project - Knowing Fusion and motion graphics is a plus and can provide more editing opportunities. Please note if you know Fusion in your cover letter. Whether you know Fusion or not, include the 🌐 emoji in your cover letter. - Must have fast and reliable internet - Episodes shot in REDRAW - must be able to color match and basic color grade Skills - Proven multi-camera editing experience - Basic understanding of tech/camera industry news - Good sense of pacing and timing - Experience with cloud-based workflows - Ability to meet same-day deadlines consistently Workflow - The show has a pretty set format so it'll be the same editing process each episode - Access cloud project and sync the three camera angles and audio - Use AutoPod (or similar) for initial cut and silence removal. We can provide if you don't have - Refine automated angle switches - Edit intro/outro segments - Insert relevant B-roll and screen recordings (will be noted in show notes) - Fine-tune for clarity and pacing - Extract 4-6 still images of hosts - Quality check entire episode - Upload final delivery files To apply, submit your: - Portfolio highlighting multi-camera work - Confirmation of availability during required time slots Thank You!

I need someone to run a one to two camera & microphone Q&A/podcast event for a client at their dinners, as well as handle post-production and editing. The ideal candidate will have experience in live event management and audio/video editing.

I am a band director, composer, and freelance percussion educator developing a professional video curriculum for instruction. I need an experienced video editor to help me establish a reliable workflow and then edit an ongoing series of lesson videos. (https://tapspace.com/artist/eric-rath/) Project Overview: Each lesson video will feature two simultaneous camera angles — a front-facing talking-head shot (Canon EOS R10) and an overhead shot (iPhone) showing the player's perspective of the instrument. The overhead angle will be used as an occasional picture-in-picture (PIP) element within the main video. Audio will come from a Bluetooth mic attached to the iPhone. Audio is also being captured on the main front-facing camera. What I Need: Clean, professional output suitable for educational curriculum use/initial Proof of Concept for my publisher. Clear communication about file delivery preferences so I can set up my recording workflow correctly from the start. Some basic graphics/artwork that will allow for some music notation to be shown and possibly animated on screen. (e.g. Show four 16th notes, but only highlight three of them, etc. -- to accompany verbal instruction.) First Step – Paid Trial Project: Before committing to the full series, I would like to hire you for a short paid trial edit using a test recording. This will allow me to verify that my recording setup produces usable footage and audio, and confirm that we work well together before the full project begins. Ideal Candidate: Demonstrated experience with multi-camera educational or tutorial content. Comfortable with PIP workflows. Responsive communicator who can advise on file formats and delivery specs. A robust music background to help more intuitively understand how to edit within the framework of the instruction being given. Please include relevant samples of multi-camera or tutorial editing work with your proposal.

We are seeking a skilled Podcast Editor to enhance our weekly episodes. Responsibilities include editing, mixing, and mastering audio to ensure high-quality sound. The ideal candidate will have experience in audio post-production and be able to work independently. This is a long-term, part-time position with flexible hours.

I need to get raw instrument recordings to sound professional so I can put them on Spotify and Apple Music and such. Would love to work with you, however I am on a limited budget as I am trying to get my music career started before I graduate. Thanks!

We need a creative video editor to create an approximately 2-minute sizzle reel for investors for a film project. The reel should be engaging and highlight the potential of the project. We have a deck, script, and original music ready for use. The goal is to create a compelling visual and audio experience that captures the essence of the film and appeals to potential investors.